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- #Paruthiveeran dialogue enna mama sowkiyama mp3 movie#
- #Paruthiveeran dialogue enna mama sowkiyama mp3 full#
You don't have unbelievable " akramam" happening. You don't have exaggerated fight sequences where the "hero" dons 10 getups or flies 25 feet to deliver a kick to 3 men joined together using ninja or some such crap.
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Indian, Anniyan, Citizen, Mudalvan and a zillion other movies have had the same base story - what differentiates EO is the protagonist. Onto the story - nothing new in that - One man rising against the widespread corruption/apathy towards virtues.
#Paruthiveeran dialogue enna mama sowkiyama mp3 movie#
And this review - boy, did it evoke interest? I got to see the movie on an online pirated streaming version - well, I'm pretty ashamed for that, but come on, this movie didn't release in this godforsaken city on the west coast of the east coast. They hinted at something different and daring. And defintely, this movie does give a new direction for commercial tamil cinema - with technical finesse apparent in every frame. On the whole, the movie is a definite one-time watch - just for Nirav Shah and Ajit - they have given their heart out for this movie. Sreekar Prasad has made sure, the film is crisp and there are no jarring cuts and continuity shifts.Īnu Varadan - You've really made everybody look ravishing in this movie - and easily she walks away with the years best costume designer award for 2007. To listen to it, see the esnips widget below The BGM, though more than makes up for the songs with a pulsating bit. YSR has scored well with My Name is Billa and Vethalaya Potendi and Seval Kodi and has majorly screwed up with the other 2 songs. The action scenes rock and I won't be surprised if he gets a National Award soon. Nirav Shah, take a bow - you, along with Ajit make this a super duper viewing experience. But the only bad thing was VV has failed to create more twists and turns and so, the film is pretty predictable, especially in the 2nd half. But VV has to be given due credit for completely reworking the film and for me, who has watched the old Billa atleast 10 times, I wasn't able to see any resemblance to the old film's scenes. The english bits of dialogs are good, much better than the bits used by Gautam Menon in his films. While concentrating on making the film a visual masterpiece, he has lost some points on the screenplay and dialogs section. Vishnu Varadan has done the same mistake that Shankar did in Sivaji. Totally unwanted and has been included only for some B- or C- Class audience. Is a huge huge improvement on the obese Sripriya in the original. Looks like a dream and has really taken risks and performed stunts pretty well. His role is developed better than the one for Balaji in the original But in certain places, shows wrong face reactions - which leaves the audience confused. Has tried a difference character role - and has succeeded mostly.
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His paunch really looks bad in the second half - I have seen his interview in Sify regarding his weight, but my take on actors is that they have to keep their looks intact as their livelihood depends on their looks and their talent. But looks-wise, Ajit needs to shed weight - he looked trim and fit in Kireedom and has to go back to that mode. Along with Nirav Shah, Ajit remains a pillar for this movie clicking with the audience.
#Paruthiveeran dialogue enna mama sowkiyama mp3 full#
The action scenes show Ajit in full flow and the car chase scene - I think it is one of the more realistic car chases I have seen in tamizh cinema - no dupes and the director has really used Ajit's racing background very well. Ajit pulls off the don role with ease, as predominantly requires him to maintain a detached attached look and in the role of Velu has tried some comedy which are mostly of the slapstick kinds - he is not majorly successful in this and it is majorly because of bad dialogs. Finally caught up with the new Billa last week.Īcting in a role of Rajni Kanth really requires some guts and to give Ajit his due, he hasn't tried to imitate Rajni either in mannerisms or dialogs or anything.